I could tell from mthe outset that this was going to be sexist, probably the fact it took the stance of “men do x” over “men also do x”, but I didn’t anticipate the final line being outright misogyny.
There is less pre-modern art by women because women were either censored or indoctrinated into roles where they couldn’t create, which is the primary sin of the patriarchy.
There is a myth of men knowing love because the myth of the powerful, rational man doesn’t accommodate for this, and what perpetuates that myth? That’s right, the patriarchy again.
It’s heartbreaking to see someone see through the patriarchal myth of masculinity and arrive at the conclusion that men are objectively better at creation and love than women
Blurry photos is fine to make an stylistic choice. The 2019 movie The Lighthouse stylistically looked like a 1920s film, before modern music intentionally used bitcrushing, it used vinyl cracks, boomer shooters made in this decade intentionally look like 1990s Doom clones.
When a medium’s shortcoming is patched by technology, it ultimately becomes an artifact of the era where it was accidental. Once a few years have passed, it becomes more synonymous with the era than the mistake.
It’s not necessarily nostalgia, Gen Alpha and the younger half of Gen Z never grew up without smartphones, so they don’t miss the era of poor film photography. Although every generation does this simulation of forgotten mistakes, it’s particularly poignant now, where the high quality, perfectly lit, professional feeling photos convey something artificial, i.e. smartphone software emulating camera hardware, faces tuned with filters or outright AI generated content. Even if it’s false imperfection, the alternative is false perfection.
Art using deliberate imperfections that were unavoidable in the past is romanticising something perceived as before commercialism, and that’s admirable.