I understand. I throw obscene amounts of money at the cash black hole that is rent. I understand entirely how people think that people who make money simply by sitting on assets they own and otherwise provide nothing to society should be, ahem, obliterated. I just think it’s still possible to obliterate them with regulations instead of actual murder.

power doesn’t just fucking let you do whatever you want.

No, but power can be subverted. Maybe I’m hopelessly optimistic, but I think there’s still a non-violent solution.

I get the violent rhetoric, I really do. But, at the same time, I can’t help but feel like more people would be more amenable to social reform that benefits the little guy to the mere detriment of the rich, rather than murdering them horribly. I could be wrong, but doesn’t history teach us that violent revolution more often just begets more violence than actually solves problems?

60s-70s rock is pretty darn good, but like you say, there are a lot of people who think music begins and ends there. They’re so wrong.

Works great for me. Definitely not as many seeders as they were during it’s heyday, but still a decent number. I’ve downloaded a couple semi-obscure films in the past couple of months and they downloaded just fine in an hour-or-two even with only one seed.

Yeah, for every Pearl Jam, Nirvana, or Soundgarden, there was a Counting Crows, Bush, or Ben Folds Five. Not to mention the boy bands that absolutely dominated the late 90s charts.

This is most evident when it comes to music. I see loads of older musicians, producers, and listeners constantly trashing new music, when the reality is there is loads of great, new music coming into existence regularly. It’s just harder to find since the tools are so accessible now, everyone and his dog can make a “professional” sounding recording. And then, the top 40 or whatever has always just been the lowest common denominator.

That’s encouraging. Wind Waker might be my favorite.

Hmm. That doesn’t sound particularly enjoyable. I haven’t played a Zelda game since Skyward Sword, and that one really rubbed me the wrong way. Formulaic and dull. I suppose that’s why the next entry made such drastic changes. I might just emulate BotW someday to see what all the fuss is about.

I’ve got it up and running in Yuzu with prod.keys 18.0. At least I watched the opening cinematic. Not that interested in playing. Just seeing if it was true.

LOL at people worried about spoilers for a Zelda game.

The best I can figure is that the 4M$20 track was popular on a streaming service that pays better, and vice versa for whatever reason.

That’s more than $45!

I got free beer at a show once 20+ years ago, too.

I pay Distrokid ~$20 a year to distribute my music to a lot of streaming services, but I do not pay individual streaming services. I never really expected much return. I wasn’t disappointed! Haha!

Maybe some kind of increasing scale for revenue depending on larger numbers of listens.

My break down by track is pretty inconsistent, too. I’ve got a single track with over a million listen that made me 36 cents. My most popular track has over 4M listens, and it’s responsible for half that $45. Distrokid doesn’t say which streaming service that revenue comes from, either. Some pay more than others, I imagine.

I have to wonder about the logistics. He can’t be running them on his own single Internet connection. Or could VPNs handle it so it would appear his listens are coming from all over the world? $10M is a lot of money. How long did it take to amass that?

Me? Honestly, I think it would be obvious to any discerning listener what music is actually made by a person, and what music is AI generated, but really, there’s so much music out there of wildly varying quality thanks to accessibility of production tools these days, it probably is literally impossible to tell the difference anymore.

Searching my username should do it. Not sure what streaming services you’re subscribed to. It’s all on YouTube, too.

A little bit, for sure. Tempered harshly by the fact I’ve spent thousands of hours and thousands of units of cash on a hobby that paid me back $45. Good thing I don’t do it for the money!

Wow. I’m a hobbyist musician. I have ~12 million listens across various streaming services and have made a whopping $45 in the two years since I finally released ~25 years worth of material. (Which is a lot of why it’s my hobby and not a living.)

I can’t imagine the numbers this guy had to pull off to make that much.