I genuinely don’t understand why people here are taking it so hard that I wish the Immich devs were using semver.

Because you didn’t say that; you said “Breaking changes in a point release? Not cool” and later “I’m basing this off the guidelines at semver.org.”

I’m paraphrasing your comments from memory, to be clear, so apologies if I misquoted you.

It certainly felt to me like you were assuming that this project was using semver and was not following it well, not that you wouldn’t want to use a project that receives this many breaking changes / that doesn’t follow semver. Those complaints both make a lot more sense to me - and I’ve seen many people say similar things about Immich in the past. In fact, it’s a big part of why I haven’t migrated from Photoprism to Immich myself - in this regard they’re complete opposites.

I don’t think there’s any room to argue that announcing a 1.x with a change the developers say is a breaking change, which is what Immich have done, fits within the semver.org guidelines.

That wasn’t the argument.

Following semver is optional. If a project doesn’t explicitly state it is following semver, it shouldn’t be assumed that it is. With regard to Immich in particular, a cursory review of their documentation makes it clear that they are not following semver. Literally, go to https://immich.app/ and read the text at the very top of the page:

⚠️ The project is under very active development. Expect bugs and changes.

Go to the repo and you’ll see the README, which states at the very top:

• ⚠️ The project is under very activedevelopment.
• ⚠️ Expect bugs and breaking changes.

If you can read that, see that they’re on major version 1 with a minor version over 100, and you still think they’re using semver, then that’s on you.

The devs have stated they won’t be using semver until they consider Immich production ready, and that moving to a 1.x version from 0.x was a mistake made some time ago. If you want to think about it as though it is semver, consider the major version to still be 0. See https://github.com/immich-app/immich/discussions/5086#discussioncomment-7593227 for example.

As this project is clearly not following semver, the semver guidelines aren’t applicable and haven’t been violated.

I don’t think there’s any room to argue

Even if semver were applicable, in this case, I would still disagree. The text from semver.org states:

8. Major version X (X.y.z | X > 0) MUST be incremented if any backward incompatible changes are introduced to the public API.

It doesn’t state that any backward incompatible changes, period, require a major version increase, only changes to the public API. I would personally argue that the deployment configuration is part of the public API, but not all project owners agree with me. Even if they do agree, they might say that this was not a documented deployment configuration and thus not part of the public API, and that it therefore doesn’t necessitate an increase to the major version, but as they knew that people were using that configuration, anyway, they included a note about a potentially breaking change as a courtesy to those users.

Immich isn’t a library (the main use case for semver is dependencies that will be pulled into other projects) and as far as I know they don’t state that they use semver.

This is what I would try first. It looks like 1337 is the exposed port, per https://github.com/nightscout/cgm-remote-monitor/blob/master/Dockerfile

x-logging:
  &default-logging
  options:
    max-size: '10m'
    max-file: '5'
  driver: json-file

services:
  mongo:
    image: mongo:4.4
    volumes:
      - ${NS_MONGO_DATA_DIR:-./mongo-data}:/data/db:cached
    logging: *default-logging

  nightscout:
    image: nightscout/cgm-remote-monitor:latest
    container_name: nightscout
    restart: always
    depends_on:
      - mongo
    logging: *default-logging
    ports:
      - 1337:1337
    environment:
      ### Variables for the container
      NODE_ENV: production
      TZ: [removed]

      ### Overridden variables for Docker Compose setup
      # The `nightscout` service can use HTTP, because we use `nginx` to serve the HTTPS
      # and manage TLS certificates
      INSECURE_USE_HTTP: 'true'

      # For all other settings, please refer to the Environment section of the README
      ### Required variables
      # MONGO_CONNECTION - The connection string for your Mongo database.
      # Something like mongodb://sally:sallypass@ds099999.mongolab.com:99999/nightscout
      # The default connects to the `mongo` included in this docker-compose file.
      # If you change it, you probably also want to comment out the entire `mongo` service block
      # and `depends_on` block above.
      MONGO_CONNECTION: mongodb://mongo:27017/nightscout

      # API_SECRET - A secret passphrase that must be at least 12 characters long.
      API_SECRET: [removed]

      ### Features
      # ENABLE - Used to enable optional features, expects a space delimited list, such as: careportal rawbg iob
      # See https://github.com/nightscout/cgm-remote-monitor#plugins for details
      ENABLE: careportal rawbg iob

      # AUTH_DEFAULT_ROLES (readable) - possible values readable, denied, or any valid role name.
      # When readable, anyone can view Nightscout without a token. Setting it to denied will require
      # a token from every visit, using status-only will enable api-secret based login.
      AUTH_DEFAULT_ROLES: denied

      # For all other settings, please refer to the Environment section of the README
      # https://github.com/nightscout/cgm-remote-monitor#environment

To run it with Nginx instead of Traefik, you need to figure out what port Nightscout’s web server runs on, then expose that port, e.g.,

services:
  nightscout:
    ports:
      - 3000:3000

You can remove the labels as those are used by Traefik, as well as the Traefik service itself.

Then just point Nginx to that port (e.g., 3000) on your local machine.

—-

Traefik has to know the port, too, but it will auto detect the port that a local Docker service is running on. It looks like your config is relying on that feature as I don’t see the label that explicitly specifies the port.

JustWatch is still useful if you want to act like you watched it legitimately, e.g., if a coworker asks where they can watch it. Even if your coworker also pirates, they might not have an account on your private tracker, Usenet, etc…

I may be wrong, as I haven’t actually torrented anything substantial since Demonoid was still a thing, but it all feels less accessible than it used to be.

Current generation iPad Pros and Airs have the same processing power as Apple Silicon Macs. That’s more than enough for Blender. Even the base iPad and the iPad Mini likely have enough processing power - though I don’t think the base iPad has enough RAM.

Does mirroring a screen (or adding a screen) from a computer or connecting to a computer via remote desktop count?

if everyone thought like you no one would create digital media

This is obviously incorrect.

I thought Hue bulbs used Zigbee?

The up arrow moves through the letters, e.g., A->B->C. The down arrow moves to the next character in the sequence, e.g., C->CA->CAA. If you click past the correct letter, you’ll have to click all the way through again. And if you submit the wrong letter, you have to start all over (after it takes twenty seconds attempting to connect with the wrong password and then alerts you that it didn’t work, of course).

Fair point, I should have asked about commercial games in general

That said I didn’t mean that the game studio itself would do the AI training and own their models in-house; if they did, I’d expect it to go just as poorly as you would. Rather, I’d expect the model to be created by an organization specialized in that sort of thing.

For example, “Marey” is one example I found of a GenAI model that its creators are saying was trained ethically.

Another is Adobe Firefly, where Adobe says they trained only on licensed and public domain content. It also sounds like Adobe is paying the artists whose content was used for AI training. I believe that Canva is doing something similar.

StabilityAI is also doing something similar with Stable Audio 2.0, where they partnered with a music licensing company, AudioSparx, to ensure that artists are compensated, AI opt outs are respected, etc…

I haven’t dug into any of those too deep, but they seem to be heading in the right direction at the surface level, at least.

One of the GenAI scenarios that’s the most terrifying to me is the idea of a company like Disney using all the material they have copyright for to train their own, proprietary GenAI image, audio, and video tools… not because I think the outputs would be bad, but because of the impact that would have on creators in that industry.

Fortunately, as long as copyright doesn’t apply to purely AI generated outputs, even if trained entirely on your own content, then I don’t think Disney specifically will do this.

I mention that as an example because that usage of AI, regardless of how ethically the model was trained, would still be unethical, in my opinion. Likewise in game creation, an ethically trained and operated model could still be used unethically to eliminate many people’s jobs in the interest solely of better profits.

I’d be on board with AI use (in game creation or otherwise) if a company were to say, “We’re not changing the budget we have for our human workforce, including for contractors, licensed art, and so on, other than increasing it as inflation and wages increase. We will be using ethical AI models to create more content than we otherwise would have been able to.” But I feel like in a corporate setting, its use is almost always going to result in them cutting jobs.

Are you okay with AAA studios using GenAI that was trained only on licensed works?

Copyright applies to unfinished works, too. There are many reasons it might not protect an unfinished work, but those reasons are still relevant even for finished works.

If someone steals your physical drawing, that’s theft. If they take a picture of it, then use the picture - or your picture + modifications - without your permission, particularly in a commercial work, then that’s copyright infringement, but not theft. If they steal your physical drawing and then take a picture and so on, then it’s both theft and copyright infringement.

Most likely this wasn’t considered copyright infringement because the allegedly copied art isn’t copyrightable, e.g., game mechanics; or the plaintiff didn’t own the copyrights themselves and thus couldn’t sue (possibly the arts were still copyrighted by the original artists, having never been purchased; possibly they were stock assets that were re-purchased by the defendant). There are any number of reasons. However, “the work wasn’t published” isn’t one of them.

On the other hand, it’s quite likely they were able to sue for theft of trade secrets for that very reason. And they might have chosen to do that simply because proving copyright infringement is much more difficult.

This happened because the developers allegedly used assets from a game called P3, which was never released, and therefore not subject to copyright infringement claims.

That isn’t how copyright works. Copyright is awarded upon creation of a work, not upon release.

OP is also in the allegedly ultra rare camp of “successfully configured Jellyfin and lived to tell the tale.” Not what I’d expect of someone unable to configure Plex correctly. I’ve not set up a Plex server myself but my guess is it wasn’t clear that it was misconfigured - it did work previously, after all.

If they’re calling it remote streaming when you’re on the same (local) network, that’s not exactly intuitive. I’d say OP’s phrasing was fair.

If you want to generate audiobooks using your own / a hosted TTS server, check out one of these options:

• OpenReader-WebUI - this has built-in read along capability and can be deployed as a PWA that can allow you to download the audiobooks to your phone so you can use them offline
• p0n1/epub to audiobook
• ebook2audiobook

If you don’t have a decent GPU, Kokoro is a great option as it’s fast enough to run on CPU and still sounds very good.

If you’re going to use Kokoro, Audiblez (posted by another commenter) looks like it makes that more of an all-in-one option.

If you want something that you can use without an upfront building of the audiobook, of the above options, only OpenReader-WebUI supports that. RealtimeTTS is a library that handles that, but I don’t know if there are already any apps out there that integrate it.

If you have the audiobook generation handled and just want to be able to follow along with text / switch between text and audio, check out https://storyteller-platform.gitlab.io/storyteller/

You can run a NAS with any Linux distro - your limiting factor is having enough drive storage. You might want to consider something that’s great at using virtual machines (e.g., Proxmox) if you don’t like Docker, but I have almost everything I want running in Docker and haven’t needed to spin up a single virtual machine.

You don’t have to finish the file to share it though, that’s a major part of bittorrent. Each peer shares parts of the files that they’ve partially downloaded already. So Meta didn’t need to finish and share the whole file to have technically shared some parts of copyrighted works. Unless they just had uploading completely disabled,

The argument was not that it didn’t matter if a user didn’t download the entirety of a work from Meta, but that it didn’t matter whether a user downloaded anything from Meta, regardless of whether Meta was a peer or seed at the time.

Theoretically, Meta could have disabled uploading but not blocked their client from signaling that they could upload. This would, according to that argument, still counts as reproducing the works, under the logic that signaling that it was available is the same as “making it available.”

but they still “reproduced” those works by vectorizing them into an LLM. If Gemini can reproduce a copyrighted work “from memory” then that still counts.

That’s irrelevant to the plaintiff’s argument. And beyond that, it would need to be proven on its own merits. This argument about torrenting wouldn’t be relevant if LLAMA were obviously a derivative creation that wasn’t subject to fair use protections.

It’s also irrelevant if Gemini can reproduce a work, as Meta did not create Gemini.

Does any Llama model reproduce the entirety of The Bedwetter by Sarah Silverman if you provide the first paragraph? Does it even get the first chapter? I highly doubt it.

By the same logic, almost any computer on the internet is guilty of copyright infringement. Proxy servers, VPNs, basically any compute that routed those packets temporarily had (or still has for caches, logs, etc) copies of that protected data.

There have been lawsuits against both ISPs and VPNs in recent years for being complicit in copyright infringement, but that’s a bit different. Generally speaking, there are laws, like the DMCA, that specifically limit the liability of network providers and network services, so long as they respect things like takedown notices.